Fashion Logo With Double Wings Track Jacket

Hip hop way (also known equally rap fashion) is a distinctive style of dress originating from Urban Black America and from inner city youth located in New York City, followed by Los Angeles, then other U.s.a. cities.[ane] All accept contributed various elements to the overall style seen worldwide today. Hip hop style complements the expressions and attitudes of hip hop culture and has changed significantly during its history. Today, it is a prominent manner worn across the whole earth and pop with all ethnicities.

Late 1970s to mid-1980s [edit]

In the late 1970 sportswear and fashion brands such as Le Coq Sportif, Kangol, Adidas and Pro-Keds were established, attaching themselves to the emerging hip hop scene.

During the 1980s, hip hop icons wore brightly colored name-brand tracksuits, sheepskin and leather bomber jackets,[2] backpiece jackets,[3] Clarks shoes,[ii] Britishers (as well known as British walkers) and sneakers. The brand of sneaker that hip hop icons would use included Pro-Keds, Puma, Converse Chuck Taylor All-Stars and Adidas Superstars often with oversized or "phat" shoelaces. Popular haircuts ranged from the early-1980s Jheri curl to the early on-1990s howdy-top fade, popularized by Volition Smith (The Fresh Prince) and Christopher "Kid" Reid of Kid 'northward Play, among others. Some other trend in hip hop habiliment, pioneered past Dapper Dan in the early 1980s, was the adaptation and brandishing of high-net-worth fashion house brands such as Louis Vuitton, Fendi, Gucci and logos in custom-designed tracksuits, jackets and mink coats.

Trending accessories included large eyeglasses (Cazals[4]),[2] Kangol bucket hats,[2] nameplates,[ii] proper name belts,[2] multiple rings and heavy gold jewelry.[v] In general, men's jewelry focused on heavy gold bondage and women's jewelry on big gold earrings.[5] Performers such as Kurtis Accident and Big Daddy Kane helped popularize gold necklaces and other such jewelry, and female person rappers such as Roxanne Shanté and the group Salt-N-Pepa helped popularize oversized gold door-knocker earrings. The heavy jewelry was suggestive of prestige and wealth, and some have continued the style to Africanism. MC Schoolly D, for instance, claimed that wearing gold "is not something that was born and raised in America. This goes back to Africa... the artists in the rap field are battling. We're the head warriors. We got to stand up and say nosotros're winning battles, and this is how nosotros're doing it."[6]

1980s hip hop mode is remembered as one of the most important elements of old school hip hop, and is often historic in cornball hip hop songs such as Ahmad's 1994 single "Back in the Day", and Missy Elliott's 2002 unmarried of the same name.

According to Gwendolyn O'Neal, the author of African American Aesthetics of Dress (1997), "While an African-American aesthetic of dress is neither African nor American, it is shaped by unique 'cultural' experiences resulting from beingness of African descent and living in America."[7] The rapper Jay-Z echoed this in a Black Book Magazine interview; he dedicated the upper-course tastes of fashion in the hip hop culture as "living it on our terms, instead of trying to emulate an aristocracy lifestyle" with the wearing of loftier-internet-worth fashion house brands. It is not necessarily because of conspicuous consumption that the hip hop lifestyle brought in these loftier end fashion products.[7]

Preppy [edit]

Preppy looks as well caught on with 80s youth in the first wave of hip hop influence. "This group of black yuppy wannabes or 'buppies' rocked to 80s hip hop music and wore styles from Polo, The Timberland and Tommy Hilfiger ... [and] were drawn to Hilfiger because of its all-American, WASP-y, country social club feeling—it was exclusive and aspirational".[eight] The immense popularity of the brand Tommy Hilfiger among the hip hop subculture community then led to the brand's global expansion.[7]

Celebrity influence [edit]

As music played a significant function in the way people dressed during the 1990s, many celebrities were known equally fashion icons, peculiarly rappers. Legendary rapper, Tupac, was not merely known for his resonating lyrics, simply also his timeless way. He was seen as a trend setter during that period. His signature, archetype mode were bandanas paired with baggy overalls or Red Wings jersey. In return, he fabricated bandanas into an iconic headwear accompaniment.[9] Today, his style influences has taught gild to be more acceptable towards different styles besides as inspired manner designers from all over the world to be innovative towards their designs. Furthermore, Snoop Dogg's strong charisma and his laid-dorsum approach to his rhymes complemented his flannel and sweatshirts with Chucks. When he revamped his style to a cleaner cut of suited and booted look, his Doberman-like facial features and slender frame were masked by his charisma and chichi vibe. He has since influenced people that with pride comes with confidence, which is the key of feeling comfortable and looking good in your individual fashion mode.[ten]

Moreover, hip hop has also adopted then transformed traditional or "old world" luxury symbols and made them modernistic-day, "absurd" commodities. Rapper LL Cool J wore a Kangol hat back in the 1980s, when few Americans knew anything nigh the European hat maker, but its association with hip hop would invigorate the brand. In 2003, London-based Kangol acknowledged the popularity given its lx-year-one-time brand by a young LL Absurd J in 1983.[7]

Late 1980s to early 1990s [edit]

Blackness nationalism was increasingly influential in rap during the tardily 1980s, and fashions and hairstyles reflected traditional African influences.[5] Blousy pants were popular among dance-oriented rappers like Chiliad.C. Hammer.[five] Fezzes,[5] kufis decorated with the Kemetic ankh,[v] Kente textile hats,[5] Africa chains, dreadlocks, and Black Nationalist colors of ruby, black, and greenish became popular as well, promoted past artists such as Queen Latifah, KRS-One, Public Enemy, Native Tongues and X-Clan.

Hip-hop manner in the 1990s slowly evolved from the 1980s as the hip-hop customs started getting influenced by traditional African-American dressing. Bright colors, large pants and headwear were the elements, which inspired the style of dressing in the early on 1990s.[11] Will Smith's graphic symbol from The Fresh Prince of Bel-Air is a distinctive instance of the classic way and style trends of the 1990s. His character is ever seen dressed in bright colorful garments, throwback jerseys and a baseball cap. In addition, rappers like Child 'n Play, Left Eye of TLC also popularized the bright colored wearable and baseball caps. TLC and late R&B singer Aaliyah also created a fashion tendency among women. Baggy pants paired with a crop top or a sports bra and occasionally a big flannel was i of their many iconic looks. This was to evidence their own version of femininity, and to express that everything does not accept to exist course-fitting and tight in order to be sexy.

Kris Kross established the fad of wearing clothes backwards.[five]

Kwamé sparked a brief trend of polka-dot article of clothing.[ citation needed ]

In 1984, Nike collaborated with Michael Jordan to create the well-known basketball shoes, the Air Jordans. Even though the price betoken ranged from Usa$100 (which was considered a high cost point then), it did non finish people from lining up hours just to get their hands on a pair of these shoes. To date, Air Jordans are still widely worn past basketball players, and with Nike releasing retro versions from time to time, which sell out globally within minutes of the release engagement.[12] Other clothing brands such as Reebok, Kangol, Fila, Champion, Carhartt, and Timberland were closely associated with the hip hop scene,[ commendation needed ] particularly on the Eastward coast with hip hop acts such equally Wu-Tang Association and Gangstarr sporting the look. Adidas also had big impact in streets with RUN-D.M.C when the band's now iconic hit vocal "My Adidas" driblet in 1986.[13]

Gangsta rap pioneers Northward.W.A popularized an early form of street manner in the late 1980s from the African American gangs and hustler cliques who were in that location mimicking cholo fashion. This included Dickies pants, white T-shirts, Locs sunglasses, Air Jordan sneakers, with black Raiders snapback hats and Raiders Starter jackets. These jackets were also a popular tendency in their own right in the late 1980s and early 1990s. They became something of a status symbol, with incidents of robberies of the jackets reported in the media.[14]

Hip hop fashion in this period also influenced high fashion designs. In the late 1980s, Isaac Mizrahi, inspired by his elevator operator who wore a heavy gilded concatenation, showed a collection deeply influenced by hip hop fashion.[15] Models wore blackness catsuits, "gold chains, big gold nameplate-inspired belts, and black bomber jackets with fur-trimmed hoods."[15] Womenswear Daily called the look "homeboy chic."[xv] In the early 1990s, Chanel showed hip hop-inspired style in several shows. In 1, models wore black leather jackets and piles of gilded chains.[15] In another, they wore long blackness dresses accessorized with heavy, padlocked silvery chains.[fifteen] (These silver bondage were remarkably similar to the metal chain-link and padlock worn by Treach of Naughty by Nature, who said he did so in solidarity with "all the brothers who are locked down.[15]) The hip hop trend in high fashion, however, did non last.[16]

The eight-ball jacket, created by designer Michael Hoban in 1990, was trendy during the 1990s, specially in the East Coast hip hop scene of New York City. The fashion is characterized past bright color-blocking and large blackness and white decals on the back and sleeves, made to look similar the eight ball used in some cue sports.[17]

Mid- to late 1990s [edit]

Manner among "hip hop" elites [edit]

On the E Coast, members of the hip hop community looked back to the gangsters of the 1930s and 1940s for inspiration.[18] Mafioso influences, especially and primarily inspired by the 1983 remake version of Scarface, became popular in hip hop. Many rappers set bated gang-inspired clothing in favor of classic gangster fashions such as bowler hats,[18] double-breasted suits,[18] silk shirts,[18] and alligator-skin shoes ("gators").

This look transcended into the R&B world in the mid-1990s when Jodeci came onto the scene, who were crooners but with a more edgy and sexual wait. By wearing gangster-fashion clothes along with the bad-boy attitude and being a R&B group, they appealed to both men and women. They were particularly known for their amorphous clothing, symbolising a paw-me-down from an older relative with a bigger build, as a sign of toughness.

On the East Coast, "ghetto fabled" style (a term coined by Sean Combs) was on the rise.[18]

Urban streetwear [edit]

Tommy Hilfiger was one of the most prominent brands in 1990s sportswear, though Polo Ralph Lauren, Calvin Klein, Nautica, and DKNY were also pop.[19] Snoop Dogg wore a striped Hilfiger rugby shirt during an appearance on Saturday Night Live, and it sold out of New York Metropolis stores the adjacent solar day.[20] Furthermore, Tommy Hilfiger tube tops were as well a big hit within the hip-hop community. It was considered a "must-take" piece for every girl influenced by this music genre. Artists like TLC, the late Aaliyah and so on were normally seen in events dressed in it.[21] Hilfiger'due south popularity was due to its perceived waspiness, which made it seem exclusive and aspirational.[nineteen] Hilfiger courted the new hip hop market: black models featured prominently in the visitor'due south advertizement campaigns, and rappers like Puffy and Coolio walked during its runways shows.[19]

Karl Kani was some other influential designer who merged hip hop with fashion.[22]

Other brands, such as Nike, Jordan, FUBU, Southpole, Reebok Pro-Keds, Adidas, Eckō Unltd., Mecca USA, Lugz, Rocawear, Boss Jeans by IG Design, and Enyce, arose to capitalize on the market for urban streetwear.[ commendation needed ]

Throwback clothing [edit]

1 sportswear trend that emerged was the rise in popularity of throwback jerseys, such equally those produced by Mitchell & Ness. Sports jerseys have always been popular in hip hop fashion, as evidenced past Volition Smith's early 1990s video "Summertime", and Spike Lee wearing a throwback Brooklyn Dodgers jersey in the motion picture Do the Right Thing. The late 1990s saw the rising in popularity of very expensive throwbacks, often costing hundreds of dollars. Hip hop artists donning the pricey jerseys in music videos led to increased demand, and led to the rising of counterfeiters flooding the market with fake jerseys to capitalize on the craze. The mid-to-late 2000s saw a decrease in popularity of throwbacks, with some hip hop artists fifty-fifty shunning them.[ commendation needed ]

The "hip-pop" era also saw the split between male person and female person hip hop style, which had previously been more or less similar. Women in hip hop had emulated the male person tough-guy fashions such as baggy pants, "Loc" sunglasses, tough looks and heavy workboots; many, such as Da Brat, achieved this with little more than some lip gloss and a flake of make-up to make the industrial work pants and piece of work boots feminine. The female performers who completely turned the tide, such as Lil' Kim and Foxy Brown, popularized glamorous, high-manner feminine hip hop styles, such as Kimora Lee Simmons' fashion line of Infant Phat. Lauryn Colina and Eve popularized more bourgeois styles that yet maintained both a distinctly feminine and distinctly hip hop experience.[ commendation needed ]

Bling [edit]

In the mid- to late 1990s, platinum replaced gilt as the metal of choice in hip hop fashion.[five] Artists and fans akin wore platinum (or silver-colored) jewelry, often embedded with diamonds. Juvenile and The Hot Boys were largely responsible for this trend.[5] Platinum fronts also became popular; Cash Money Records executive/rapper Brian "Infant" Williams has an entire mouthful of permanent platinum teeth. Others take fashioned grills, removable metal jewelled teeth coverings.

With the appearance of the jewellery culture, the turn-of-the-century-established luxury brands made inroads into the hip hop market, with brands like Gucci, Louis Vuitton and 212 Diamond City making appearances in hip hop videos and films.

Modern (2000s–2010s) [edit]

In the 1990s and beyond, many hip hop artists and executives started their ain fashion labels and wearable lines.[23] Notable examples include Wu-Tang Association (Wu-Wear), Pharrell (Billionaire Boys Guild/Ice Cream), Nelly (Vokal and Apple Bottom Jeans), Russell Simmons (Phat Farm), Kimora Lee Simmons (Baby Phat), Diddy (Sean John and Enyce), T.I. (AKOO), Damon Dash and Jay-Z (Rocawear), 50 Cent (One thousand-Unit Vesture), Eminem (Shady Limited), 2Pac (Makaveli Branded), OutKast (OutKast Vesture), Lil Wayne (Trukfit), and Kanye W (Yeezy).

Up-and-coming urban clothing lines accept dominated the fashion in the hip hop genre. Skinny jeans besides came into style in part due to New Boyz' jerk dance from the song "You're a Wiggle".[ citation needed ]

The hip hop style trends of the 2000s were all over the place and changed constantly, starting with the baller-type epitome. Michael Hashemite kingdom of jordan's encompass on Sports Illustrated was an iconic moment in hip-hop manner because he was able to influence millions of people into the management of baggy shorts, baggy tops, and aureate chains. There have been other celebrity influences amid fashion trends, with most of these influences coming from hip hop artists. Gucci and Louis Vuitton became extremely pop amid the hip hop/urban community from the utilise of the words, "Gucci" and "Louis" in lyrics and music videos.[ citation needed ]

Throughout these years many fashion trends from the 1980s and early 1990s were fabricated popular again, such every bit door knocker earrings and class fitting jeans for men. Bright colors and cartoon graphic impress hoodies by Bathing Ape made pop by artist and producer Pharrell also gained popularity. Women wore high heels in all different forms, and many new ideas for shoes emerged, similar the open up toed boot.[24]

In recent years the hip hop world has seen a resurgence of old fads likewise as the emergence of new ones. The last few years of the first decade of the new millennia gave rise to the popularity of tattoos covering artists from head to toe. Soulja Male child, Wiz Khalifa, Lil Wayne and Tyga take set the trend of existence completely "tatted upwardly."[25] Although having tattoos is nothing new to the music industry, never have tattoos been and then pervasive in hip hop. Tattoos roofing the face and the head accept also become increasingly popular. Birdman now sports a star tattoo on the crown of his head, Gucci Mane has an ice cream tattoo on his right cheek, and Lil Wayne has tattoos on his eyelids and brow.[26]

1 cannot speak of fashion trends without mentioning the importance of hairstyles, specially for women. In the past few years there has been a resurgence of the asymmetrical pilus cut with a contemporary spin. Stars such as Rihanna, Cassie and Kelis have all ready the new trend of the half-shaven head.[27]

The reemergence of Adidas rail jackets and the use of style scarves accept been some of the latest trends to striking the hip hop fashion scene. Adidas tracksuits are certainly not new to hip hop culture, as they accept been around substantially since commercialized hip hop was created, but they have recently in one case again become popular.[ citation needed ]

Mode scarves have besides get popularized in recent years. Kanye West is the most contempo artist to launch his own line of products by selling decorative scarves with provocative depictions, named Risque Scarves.[28]

Skateboarding manner has been used in the hip hop scene since the early on 2010s, including knit caps, bonnets, fitted pants or shorts, Vans, Nike SB (skateboarding), shirts with sleeves and trinted Tees (brands like OBEY, Supreme, Stussy, Adidas, Supra, Circa, DC, RDS and Emericas). Chris Brown, Tyler The Creator and Lil Wayne wear these in their music videos and concerts.[ citation needed ]

The rebirth of the 1990s snapback caps is the about notable sign of the new school throwback image. The "new" snapback hype started effectually mid-2010. Around belatedly 2010 and early 2011, the "new" snapback movement exploded. Starter Clothing Line manufactured the most sought-afterwards snapbacks in the 1990s, and made its render as the hype for the hats grew. Many other well-known chapeau companies started to sell snapbacks, such every bit New Era, Mitchell & Ness, Reebok, and Adidas. Many notable artists are credited with the improvement of snapbacks by sporting gear from a company named Ti$A Vi$ION. Chris Brownish, Tyga, and Big Sean were amid the early supporters of this company since 2010. Many urban fashionistas credit Mac Miller, a well-known YouTube MC, with starting the hype with the release of his song entitled "Snap Dorsum", from the mixtape The Jukebox: Prelude to Class Clown, released in June 2009. There is controversy as to who started the "new" snapback trend.[ citation needed ]

Hip hop manner through 2011 included snapbacks, sports wear, basketball game and skateboarding shoes, hoodies, piercings in 1 ear or both, leather jackets, sleeveless shirts, polo shirts, saggy pants, bikini tops, crop tops, tube tops, tank tops, factory trackies and cropped T-shirts.[ citation needed ]

Around 2012, fashion in hip hop saw a shift towards modernistic "high" streetwear and haute couture brands popularized by online mode forums such every bit Superfuture and Styleforum. Brands such as Rick Owens, Raf Simons, and Saint Laurent Paris are now featured prominently in the lyrics and wardrobes of rappers such as A$AP Rocky, Travis Scott, and Kanye West.[29]

Skater culture is likewise prominent in the Hip-Hop scene. The boost in its popularity is largely attributed to alternative rapper and leader of the musical grouping Odd Futurity, Tyler, The Creator. Brands like Obey, Supreme, Thrasher, and Tyler, The Creator'due south merchandise line, Golf Wang have also boosted the significance of skater style in Hip-Hop.[ citation needed ]

Criticism [edit]

A DJ wearing a zip-up hoodie and checkerboard frame sunglasses

Commentators from both inside and outside the hip hop community have criticized the price of many of the accoutrements of hip hop fashion. Chuck D of Public Enemy summarized the mentality of hip hop style and some depression-income youths as "Man, I work at McDonald'southward, but in guild for me to feel proficient nigh myself I got to get a gilt chain or I got to go a fly automobile in order to impress a sister or whatsoever."[xxx] In his 1992 song "Us", Ice Cube rapped that "Us niggaz will always sing the blues / 'cause all we intendance almost is hairstyles and tennis shoes".[31] [32] [33] [34] Some fans have expressed disappointment with the increased amount of ad for expensive hip hop brands in hip hop magazines.[35] In ane alphabetic character to the editor in Source mag, a reader wrote that the magazine should "effort showing some less expensive brands and then heads volition know they don't accept to hustle, steal, or rob and blast shots for flyness."[36] In fact, there were many highly publicized robberies of hip hop artists by the late 1990s.[35] Guru of Gang Starr was robbed of his Rolex sentry at gunpoint, Queen Latifah's car was auto-jacked, and Prodigy was robbed at gunpoint of $300,000 in jewelry.[35]

Hip hop has sometimes come under fire for glorifying brands that shut it out and for embracing a fashion civilization which does not embrace hip hop or blackness culture.[37] A dichotomy exists in the "collaboration" between influential hip hop artists who cover designer brands and fashions, and these same brands that profit from hip hop'south influencers. Designer brands such as Louis Vuitton or Versace align themselves with influential musicians considering of the potential gains, but simultaneously maintain distance from these allies outside of advertising, "almost as with a keen desire to hold the controlling hand in these relationships" and control their public image.[38] In these partnerships/collaborations between designers and artists there is sometimes a blueprint of exploitation in which the designers benefit unduly more hip hop artists.

A few hip hop insiders, such equally the members of Public Enemy, Immortal Technique, Paris and Common, accept made the deliberate choice not to don expensive jewelry as a statement against materialism.[35]

Gender roles and dress [edit]

Women [edit]

Along with the turning of the tide by select female hip hop artists came the emergence of promoting sex appeal through way. Female artists accept faced a number of pressures ranging from gaining exposure to farther their careers too every bit conforming with certain images to remain in need and relevant. Female person rappers in today'southward time like Cardi B and Nicki Minaj are ii of the near pop female person rappers and notwithstanding conform to this standard. The alignment of R&B music with hip hop music (with collaborations existence more and more prevalent) placed a whole new category of women within the categorization of what constituted a hip hop creative person.

As referenced in a higher place, the nineties centered effectually women'southward senses of style revolving around that of men, in that they adopted the use of oversized T-shirts and baggy pants. Also listed in a higher place are Aaliyah, TLC, and Da' Brat as conformists to that trend. Female rap grouping Salt-N-Pepa are considered amongst the frontrunners in leading the transition of moving abroad from the male alignment and asserting feminism in creating a new sense of dress. They are said to have "wowed fans while wearing hot pants, cut-off denim shorts and Lycra body suits".[39]

"Black women's relationships to their bodies occur within overlapping cultural contexts that offer contradictory messages about their value and function".[40] In a male person dominated society, it is no wonder that women used to work difficult to align themselves with male images including how they'd dressed. As women mostly gained access to and exposure within the offerings of several sectors of order, for example music, movies and television, we saw more than images of what constituted attractiveness emerge. Following this came the perception of freedom to limited oneself through several avenues including dress. Rappers Lil' Kim and Eve are known for resorting to trends surrounding being scantily clad with provocative tattoos and being perceived equally bonny in the process. Not all female rappers, or female person artists in general take resorted to these methods within their careers. "...the recent appearance of Blackness women performers, songwriters, and producers in Black popular culture has called attention to the means in which young Black women use pop culture to negotiate social existence and attempt to express independence, self-reliance, and agency".[41]

LGBT community and gender variance [edit]

Hip hop has had a history of homophobia, only recently becoming more accepting of the LGBT community. Lyrics that openly utilise derogatory words such as "fag" or "dyke" have saturated the marketplace, even being constitute in conscious rap, considered the nigh progressive section of hip hop. Marc Lamont Colina argues, "the progressive agendas of political rap artists such as Public Enemy, X-Clan, Paris, and Sista Souljah were strongly informed by radical Afrocentric, Black Islamic, and crude Black Nationalist ideologies that were openly hostile to queer identities".[42]

The genre has been considered a predominantly hyper-masculine customs, with female artists taking on these traits. Female person groups and individual artists such as Young M.A. Conscious Daughters or Aaliyah have dressed in clothing considered male. Wearing amorphous wearing apparel was an endeavour to shift focus away from the body and motion it towards the music.

Men have also engaged in reversing gender roles through the use of fashion. Artists such as Lil Wayne, A$AP Rocky, Kanye West, Young Thug, and other self-identified direct men have made headlines by their choices of dress. This type of androgynous dress is non exclusive to recent times though, equally the years of hip hop'south creation saw legends dressed in the disco styles of that era.[43]

Notes [edit]

  1. ^ "The Consummate Story Of How Hip-Hop Inverse The Way We Wearing apparel". FashionBeans . Retrieved 2019-08-01 .
  2. ^ a b c d e f Kitwana, Bakari (2005). The Hip-Hop Generation: Young Blacks and the Crunch in African-American Culture. New York: Basic Civitas Books. p. 198. ISBN978-0-465-02979-2.
  3. ^ "Backpiece jackets - the evolution of the painted jacket by Niklas Worisch - Issuu".
  4. ^ Cochrane, Lauren (2005-09-02). "Specs appeal". The Guardian. London. Retrieved 2010-05-04 .
  5. ^ a b c d e f one thousand h i j Keyes, p. 152.
  6. ^ Quoted in Keyes, p. 152 (quoting Schoolly D. "The Meaning of Gold." Spin (Oct 1988), p. 52).
  7. ^ a b c d Lewis/Gray, Tasha/Natalie (2013). "The Maturation of hip hop's Menswear Brands: Outfitting the Urban Consumer". Fashion Practice. v (ii): 229–243. doi:10.2752/175693813X13705243201531. S2CID 111293111.
  8. ^ Kitwana, Bakari. hip hop & High Society. Black Book Spring. pp. 112–17.
  9. ^ "The baseball bailiwick of jersey". Capital XTRA . Retrieved 2018-04-21 .
  10. ^ "The Nearly Stylish Rappers of the '90sMike D". Complex . Retrieved 2018-04-21 .
  11. ^ "Hip Hop Fashion in the 90s". filthydripped.com. half dozen November 2015. Retrieved 2018-04-21 .
  12. ^ "How Has Hip Hop Influenced Fashion? | LEAFtv". LEAFtv . Retrieved 2018-04-21 .
  13. ^ "Run-D.M.C.'s 'My Adidas' and the Birth of Hip Hop Sneaker Civilization". The Business organisation of Fashion. 2014-07-eighteen. Retrieved 2017-12-06 .
  14. ^ "Hi-Meridian Height 5 – Greatest Starter Jackets of 80s/90s – Hi-Top Table Athletics". 2018-12-07.
  15. ^ a b c d e f Wilbekin, p. 280.
  16. ^ Urbanworld (December 2017). "High Manner without Hip Hop Collections". Retrieved 2020-01-05 .
  17. ^ Detrick, Ben (2014-12-24). "A '90s Jacket Comes Back Into Fashion". The New York Times. ISSN 0362-4331. Archived from the original on March eight, 2021. Retrieved 2021-07-13 .
  18. ^ a b c d e Wilbekin, p. 281.
  19. ^ a b c Wilbekin, p. 282.
  20. ^ "Remember When Snoop Dogg Did 'SNL' Doggy Style?". Mass Appeal. 2017-05-08. Retrieved 2018-04-21 .
  21. ^ "15 Important '90s Hip-Hop Mode Trends You Might Have Forgotten". BuzzFeed . Retrieved 2018-04-21 .
  22. ^ Karl Kani
  23. ^ Wilbekin, p. 283.
  24. ^ Claire (2009-12-30). "Accept it or Exit Information technology? Acme Style Trends of 2009". Fashion Bomb Daily Style Magazine . Retrieved 2017-08-11 .
  25. ^ hop%E2%fourscore%99s-well-nigh-off-the-dome-tattoo-addicts/ "Ink Heads, Hip-Hop'due south Most Off the Dome Tattoo Addicts" xxlmag.com, December i, 2009. Appointment accessed: May 9, 2011
  26. ^ "Lil Wayne, Gucci Mane And Game: A Journey Into Face Tattoos" rapflix.mtv.com, February 23, 2011. Date Accessed: May nine, 2011
  27. ^ "Rihanna'south shaved head for 'Italian Vogue'". s2smagazine.com, July 7, 2009. Date Accessed: May 10, 2011.
  28. ^ "Kanye West's Risque Scarf Line Coming Up". sojones.com, May 9, 2011. Engagement Accessed: May 10, 2011
  29. ^ Babcock, Gregory (2015-09-28). "Fitted Is Meliorate than Baggy - '90s Hip-Hop Fashion Trends vs. Today's Trends". Complex. Retrieved 2017-08-11 .
  30. ^ Keyes, p. 172 (quoting Eure and Spady, 1991).
  31. ^ Quoted in Keyes, p. 173.
  32. ^ "United states of america Video". YouTube . Retrieved 2 December 2011.
  33. ^ "Us lyrics". Archived from the original on 19 Apr 2012. Retrieved 2 December 2011.
  34. ^ "U.s.a. lyrics". Retrieved 2 December 2011.
  35. ^ a b c d Keyes, p. 172.
  36. ^ Quoted in Keyes, p. 172.
  37. ^ hop-kanye-kimmel-classism-model-casting/525840f978c90a26c40004a5/ "Is Fashion Racist?" Hufftington Mail Live, October xvi, 2013. Date accessed: Dec eight, 2013
  38. ^ Miller, Janice. Fashion and Music. Oxford: Berg, 2011. Print. p. 17
  39. ^ Hook, Sue Vander (2010). Hip-Hop Style. Mankato, Minn.: Capstone Press. ISBN978-1-4296-4017-6.
  40. ^ Lovejoy, Meg (April 2001). "Disturbances in the Social Body: Differences in Body Image and Eating Problems among African American and White Women". Gender and Club. 15 (2): 239–261. doi:x.1177/089124301015002005. JSTOR 3081846. S2CID 145254943.
  41. ^ Emerson, Rana (Feb 2002). ""Where My Girls At?": Negotiating Black Womanhood in Music Videos" (PDF). Gender and Society. 16 (1): 115–135. doi:10.1177/0891243202016001007. JSTOR 3081879. S2CID 35432829.
  42. ^ Loma, Marc Lamont (2009-01-30). "Scared Direct: Hip-Hop, Outing, and the Pedagogy of Queerness". Review of Education, Pedagogy, and Cultural Studies. 31 (1): 29–54. doi:10.1080/10714410802629235. ISSN 1071-4413. S2CID 145555758.
  43. ^ "Dressing The Function: hip hop, High Manner & Gender Roles". HipHopDX . Retrieved 2020-05-02 .

See likewise [edit]

  • Heavy metallic mode

References [edit]

  • Keyes, Cheryl L. (2004). Rap Music and Street Consciousness (1st ed.). Urbana: Academy of Illinois Press. ISBN978-0-252-07201-vii.
  • Wilbekin, Emil (1999). "Nifty Aspirations: hip hop and Fashion Dress for Excess and Success". The Vibe History of hip hop (1st ed.). New York: Iii Rivers Press. ISBN978-0-609-80503-nine.

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